A film exploring the seemingly endless cycle of killing.
A 6-minute film about the double bind that occurs when an artist contemplates burning his art or leaving the artwork to his loved ones.
Sometimes my paintings tell me stories. Here is one of my latest paintings.
Marshall’s creative life was highly influenced by his grandmother—a noted and gifted medium who lived in a Spiritualist community called Lily Dale in upstate New York. A Spiritualist minister who was herself a talented artist, Louise Arisman presented her young grandson with the possibility that life everlasting was not simply a religious hope, but something she found proof of every day by communicating with those who had “passed over,” bringing messages back to the living. The fascination with that possibility has shaped his work as an artist.
This 55-minute documentary follows Marshall as he returns to Lily Dale, his grandmother’s home for more than 50 years and the site of the church she founded. Using archival footage and outtakes from a documentary on his work and process (Facing the Audience: The Art of Marshall Arisman, 2003), as well as photographs, interviews with current Lily Dale psychics, and new footage, the film explores the link between Marshall’s creative output and his early immersion in psychic phenomena.
Along the way, we discover some of the history of Spiritualism, and how it influenced the work of writers and artists in the early 20th century: William Butler Yeats, Aldous Huxley, and such prominent artists as Kupka and Kandinsky. We learn of Louise Arisman’s psychic reading for Lucille Ball, who was born in Jamestown, NY, not far from Lily Dale. Ball’s museum and library are located there, and once a year during Lucy Week she is honored for her celebrated career—one predicted by Louise.
You can read more about the film and the making of it here.
Marshall’s latest series of paintings deals with angels and demons, and the fertile territory that lies between them. Use the menu above to visit the galleries.